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This is the record where the band stopped restraining itself. Released in 1975, it is the album built around the song that made restraint impossible to argue for: if the centerpiece could be that maximal and still land, why hold back anywhere else?

So they did not. The album moves through styles the way some bands move through a career, hard rock next to vaudeville next to close harmony, with no apology for the swings and no connective small talk between them. The thing that holds it together is not a sound. It is a level of commitment to whatever each track decides to be.

It also carries the production fingerprints of its most famous piece all over it: voices stacked past the point of reason, guitar pushed into roles guitars do not usually play. The studio is doing as much work as the players. Listen for that.

Worth knowing

The record where the band stopped restraining itself: hard rock next to vaudeville next to close harmony, with no apology for the swings. The studio is doing as much work as the players. Listen for that.

Tracklist

1 of 12 covered

The songs we’ve dived into are lit in gold, tap to read. The rest are here for the full picture.

1 Death on Two Legs (Dedicated to...) 3:44
2 Lazing on a Sunday Afternoon 1:07
3 I'm in Love with My Car 3:05
4 You're My Best Friend 2:51
5 '39 3:31
6 Sweet Lady 4:02
7 Seaside Rendezvous 2:14
8 The Prophet's Song 8:21
9 Love of My Life 3:37
10 Good Company 3:23
12 God Save the Queen 1:15

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